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According to Lin, she has been concerned with environmental issues since she was very young, and dedicated much of her time at Yale University to environmental activism.
I am very drawn to landscape, and my work is about finding a balance in the landscape, respecting nature not trying to dominate it. Even the Vietnam Veterans Memorial is an earthwork.
All of my work is about slipping things in, inserting an order or a structuring, yet making an interface so that in the end, rather than a hierarchy, there is a balance and tension between the man-made and the natural.
According to the scholar Susette Min, Lin's work uncovers "hidden histories" to bring attention to landscapes and environments that would otherwise be inaccessible to viewers and "deploys the concept to discuss the inextricable relationship between nature and the built environment.
She has explored these issues in her recent memorial, called What Is Missing? In addition to her other activities, Lin sits on the Natural Resources Defense Council board of trustees.
In , at 21 and still an undergraduate, Lin won a public design competition to design the Vietnam Veterans Memorial, to be built on the National Mall in Washington D.
Her design, one of 1, submissions, [13] specified a black granite wall with the names of 57, fallen soldiers carved into its face hundreds more have been added since the dedication , [14] [15] to be v-shaped, with one side pointing toward the Lincoln Memorial and the other toward the Washington Monument.
According to Lin, her intention was to create an opening or a wound in the earth to symbolize the pain caused by the war and its many casualties.
The design was initially controversial for several reasons: its untraditional design, [18] Lin's Asian ethnicity, [6] [19] [20] and her lack of professional experience.
Some objected to the exclusion of the surviving veterans' names; others complained about the dark complexion of the granite, claiming that it expressed a negative attitude towards the Vietnamese War.
Lin defended her design before the US Congress , and a compromise was reached: The Three Soldiers , a bronze depiction of a group of soldiers; and an American flag were placed to the side of Lin's design.
Notwithstanding the initial controversy, the memorial has become an important pilgrimage site for relatives and friends of the dead soldiers, many of whom leave personal tokens and mementos in memory of their loved ones.
There is also a pair of combat boots and a note with it dedicated to the veterans of the Vietnam war, that reads "If your generation of Marines had not come home to jeers, insults, and protests, my generation would not come home to thanks, handshakes and hugs.
Lin once said that if the competition had not been held "blind" with designs submitted by name instead of number , she "never would have won" on account of her ethnicity.
Her assertion is supported by the fact that she was harassed after her ethnicity was revealed, as when prominent businessman and later third party presidential candidate Ross Perot called her an "egg roll.
Maya Lin calls herself a "designer," rather than an "architect. She has tried to focus less on how politics influences design and more on what emotions the space would create and what it would symbolize to the user.
Her belief in a space being connected and the transition from inside to outside being fluid, coupled with what a space means, has led her to create some very memorable designs.
In doing so, Lin focuses on memorializing concepts of time periods instead of direct representations of figures, creating an abstract sculptures and installations.
Lin believes that art should be an act of every individual that is willing to say something that is new and not quite familiar.
She first imagines an artwork verbally to understand its concepts and meanings. She believes that gathering ideas and information is especially vital in architecture, which focuses on humanity and life and requires a well-rounded mind.
That theme is shown in her art memorializing the changing environment and in charting the depletion of bodies of water.
Somewhere between science and art, art and architecture, public and private, east and west I am always trying to find a balance between these opposing forces, finding the place where opposites meet She was inspired by both diagrams of fluids in motion and photographs of ocean waves.
She was intrigued by the idea of capturing and freezing the motion of water, and she wished to capture that movement in the earth, rather than through photography.
That was her first experience with earthworks. In , Lin re-emerged in the public life with a book, Boundaries. It is the largest and longest project that she has undertaken so far.
Lin draws inspiration from the Serpent Mounds Native American burial mounds located in her home state, Ohio. It is meant to be a walkway for the viewers to experience, taking eleven minutes to complete.
In , Lin completed Waterline , which is composed of aluminum tubing and paint. She describes the piece as a drawing instead of a sculpture. It is a to-scale representation of the Mid-Atlantic ridge, and it is installed so that viewers may walk under the underwater mountain range.
There is a purposeful ambiguity to where the actual water line is in relation to the mountain range, to highlight viewers' relationship to the environment and their effect on bodies of water.
The sculptures are balanced on the deepest point of the sea. Lin wishes to call attention to the "unseen ecosystems" that people continue to pollute.
Lin was commissioned by Ohio University to design what is known as Input in that institution's Bicentennial Park, [41] a landscape designed to resemble a computer punch card.
The work relates to Lin's first official connection with the university. The installation is located in a 3. It has 21 rectangles, some raised and some depressed, resembling computer punch cards, a mainstay of early programming courses.
The artwork is made of aluminum tubing that has been electrolytically colored during a process called anodization.
In Lin created the design of a building for the Museum of Chinese in America near New York City's Chinatown , Lin attached a personal significance to the project being a Chinese-related project, explaining that she wants her two daughters to "know that part of their heritage".
With the sculpture, Lin wanted to make a statement about water conservation and the importance of the Colorado River to Nevada in terms of energy and water.
In , Lin completed her largest work to date, A Fold in the Field. It was built from ,m cubic meters of earth, covering 3 hectares.
It forms part of a private collection within a sculpture park, owned by Alan Gibbs , north of Auckland , New Zealand. Since around , Lin has been working on what she calls "her final memorial," [50] the What Is Missing?
Foundation, to commemorate the biodiversity that has been lost in the planet's sixth mass extinction. She aims to raise awareness about the loss of biodiversity and natural habitats by using sound, media, science, and art for temporary installations and a web-based project.
What Is Missing? Nature and the environment have been central concerns for Lin in both her art and architecture: "As an artist I often work in series, and so for me, I wanted my last memorial to be on a subject that I have personally been concerned with and connected to since I was a child.
The last memorial is "What Is Missing? Lin is married to Daniel Wolf, a New York photography dealer.
They have two daughters, India and Rachel. She has an older brother, the poet Tan Lin. Its title comes from an address she gave at Juniata College in which she spoke of the monument design process in the origin of her work; "My work originates from a simple desire to make people aware of their surroundings and this can include not just the physical but the psychological world that we live in.
In , Lin was elected Alumni Fellow of the Yale Corporation , the governing body of Yale University upon whose campus sits another of Lin's designs, the Women's Table, designed to commemorate the role of women at Yale University , in an unusually public contest.
Her opponent was W. David Lee, a local New Haven minister and graduate of the Yale Divinity School , who was running on a platform to build ties to the community with the support of Yale's unionized employees.
Lin was supported by Yale President Richard Levin and other members of the Yale Corporation, and she was the officially endorsed candidate of the Association of Yale Alumni.
A trend toward minimalism and abstraction was noted among the entrants and the finalists as well as in the chosen design for the World Trade Center Memorial.
From Wikipedia, the free encyclopedia. Maya Lin. Athens, Ohio , U. Further information: Vietnam Veterans Memorial. This list is incomplete ; you can help by expanding it.
September 11, The New York Times. Retrieved September 26, Retrieved January 2, MIT Press. Maya Lin: A Biography. Asian Americans of Achievement Series.
Infobase Publishing. American Association of Museums. July—August Archived from the original on September 15, Retrieved December 30, American Academy of Achievement.
Fine Arts Museums of San Francisco. Originals: American women artists. July 2, Public Art Dialogue. Library of Congress. Retrieved January 3, Vietnam Veterans Memorial Fund.
Archived from the original on March 4, The Attic. Retrieved November 5, Archived from the original on June 21, Jack Magazine.
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